Descriptions
Song of Songs 1:2–2:7
Opening words of mutual love and desire
Opening dialogue (Song 1:2–2:7)
David A. Dorsey, The Literary Structure of the Old Testament
The unit is marked by (1) the symmetry created by its constituent speeches, (2) the tight stimulus-response connections linking these speeches, (3) the sense of completeness created by progression from tension to resolution, (4) the singularity of scene, and (5) the recurrence of keywords and motifs.
- ayoung woman's long speech, expressing her desire to be with the young man in his home1:2–7aside to the daughters of Jerusalem; "he has brought me into (hĕbî'anî) his chambers"; keywords: threefold mention of love ('hb); wine (yayin)
- byoung man's words of admiration for his beloved (ra'yātî)1:8–11her uniqueness among women (bannāšîm)
- cyoung woman's short speech of admiration and desire1:12–14theme: fragrance (nard, myrrh, henna blossoms); reference to his bed
- dCENTER: young man's exclamation1:15
- c′young woman's short speech of admiration and desire1:16–17possible theme: fragrance (cedar, pine); reference to our bed
- b′young man's words of admiration for his beloved (ra'yātî)2:1–2her uniqueness among the young women (bēn habbānôt)
- a′young woman's long speech describing union with the young man in his home2:3–7aside to the daughters of Jerusalem; "he has brought me into (hĕbî'anî) the house of wine"; keywords: threefold mention of love ('hb); wine (yayin)
Seven speeches alternating between the young woman and the young man (Song 1:2–2:7)
David A. Dorsey, The Literary Structure of the Old Testament
The speeches are tightly linked by stimulus-response connections ("pearling"); only the fourth speech (d) is not linked to the preceding speech and thus stands highlighted.
- awomanyoung woman's opening speech1:2–7
- bmanyoung man's response to her1:8–11
- cwomanyoung woman's response to him1:12–14
- dmanyoung man's exclamation1:15
- ewomanyoung woman's response to him1:16–17
- fmanyoung man's response to her2:1–2
- gwomanyoung woman's response to him, and refrain2:3–7