The Secret of the Middle of Matthew
Matthew places chapter 13 and its quotation of Psalm 78 at the chiastic center of his Gospel to reveal Christ as the suffering and exalted Davidic psalmist.
At the geographic and literary center of Matthew's ten mighty deeds lies a confrontation with demons that unveils the true purpose of Christ's mission.
The Gospel of Matthew alternates systematically between five major discourses and six narrative sections. Chapters 1 through 4 introduce Jesus’s birth and preparation for ministry, identifying who He is. Chapters 5 through 7 present His first great discourse, the Sermon on the Mount. Then, in chapters 8 and 9, we encounter ten actions of Jesus—what Matthew describes as acts of power or “mighty deeds.”
These ten deeds stand as the deliberate counterpart to the ten plagues of Egypt: where the plagues brought destruction, Jesus’s deeds bring life and restoration. Matthew structures these ten episodes with remarkable literary symmetry.
Chapters 8 and 9 are arranged chiastically around a geographic movement from land across water to land, and back across water to land again. Jesus begins in Capernaum, crosses the sea by boat to the country of the Gadarenes, returns by boat, and eventually goes to Nazareth. The geographic progression follows a clean pattern:
The entire section centers on the Gadarene encounter. It is literarily central, and it also anchors the numerical distribution of the miracles. Matthew places an initial cluster of miracles on land, concludes with a final cluster on land, and sets the encounter in the Gadarenes right in the middle. The entire structure compels us to ask: why does Matthew place this specific episode at the center?
Let us look at the passage itself:
And when he came to the other side, to the country of the Gadarenes, two demon-possessed men met him, coming out of the tombs, so fierce that no one could pass that way. And behold, they cried out, “What have you to do with us, O Son of God? Have you come here to torment us before the time?”
Now a herd of many pigs was feeding at some distance from them. And the demons begged him, saying, “If you cast us out, send us away into the herd of pigs.” And he said to them, “Go.” So they came out and went into the pigs, and behold, the whole herd rushed down a steep bank into the sea and drowned in the waters.
The herdsmen fled, and going into the city they told everything, especially what had happened to the demon-possessed men. And behold, all the city came out to meet Jesus, and when they saw him, they begged him to leave their region.
The central element in chapters 8 and 9 is an overt battle against demonic powers. Matthew places it at the center because this confrontation represents the fundamental purpose of Jesus’s coming. In the story, Jesus enters foreign territory, liberates men possessed by evil spirits, and sends those spirits into pigs that plunge down a cliff to destruction. It is an encapsulation of His whole mission: coming to earth to rescue humanity from the indwelling grip of evil through direct confrontation with the devil.
This battle reaches back to the very beginning of the biblical story. Genesis opened with an encounter between humanity and an evil spirit working through an animal. When Jesus arrives, He takes up that identical conflict, but He fights it the way Adam was originally meant to fight it. When the serpent slithered into the garden, Adam remained passive. Jesus, by contrast, exercises authority and casts the evil spirits out.
Even the topological imagery mirrors the original setting. The pigs plunge down a steep bank, just as the serpent ought to have been cast down from the mountain heights of Eden. Jesus proves Himself fiercer than Adam and truer than Adam, driving the devil off the mountain.
And that, my friends, is why the Bible is art.
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